The image is createdthrough digitization, the language specific to painting finds its way to image processing software. Various interactions of the artist, and the modified image is reprinted on a new physical medium. We then cut out this image to resonate the plastic qualities of an old recipe book that has taken on water, found in the attic. We re-intervene in painting on all the previous manipulations. The collage is torn to put its parts on other works in progress. Everything happens in Letter format, but is thought of in table format. When a work arises from this formal chaos, I scan it in high resolution to print it in large format on fine art paper.